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The King George Job

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Title The King George Job
Season 3
Episode 12
Airdate August 29, 2010
Written by Christine Boylan
Directed by Millicent Shelton
Guests James Frain
Previous episode The Rashomon Job
Next episode The Morning After Job
Episode list Season 3
I've hacked history!

Alec Hardison


London's calling, as the high-tech do-gooders journey to England to ensnare a morally bankrupt antiquities trafficker who's exploiting children as smuggling mules. But while in London, Sophie is haunted by her past.

The MarkEdit

ClientsEdit

  • A'Yan (Iraqi little girl)
  • Ibrahim (Immigration Aide)

The ConEdit

The team is at the Boston Airport, shadowing smuggler John Douglas Keller. Keller has connections to Damien Moreau, who receives funding for his activities through Keller's smuggling of antiquities. While the team is focused on Keller and his bodyguard, Eliot, disguised as a pilot, is approached by a small girl who asks him for help in finding her way to the gates. As the girl moves to reunite with her family, alarms sound and security teams converge on her at customs. As the little girl is whisked helplessly away, the team realizes that she was an unwitting mule for Keller's smuggling. In Eliot's words, Keller steals a statue from a a dig in Iraq and, using refugee children as mules, smuggles it out of the country to sell to rich Americans. Sophie is particularly bothered by the implications of such a practice. She wonders if she ever contributed to larger plans with darker motives by committing her crimes.

Following Keller to London, the team engages him at Claridge's Auction House, trying to convince him that Nate has access to rare artifacts from recent digs. Keller does not buy it for even a moment and sets his bodyguard on Nate. Sophie stops Eliot from intervening, claiming that she now knows the mark's heart's desire. She steps in and asserts herself as Charlotte Prentiss, Duchess of Hanover, claims that Nate works for her and that they really do have artifacts that need smuggled, albeit from private collections, not recent digs. She dangles the possibility of a knighthood in front of Keller who remains unimpressed, claiming that they are common enough. Sophie accordingly ups the stakes to a title, which instantly captivates. She tells him to meet her tomorrow to discuss.

At the meeting, Sophie tells Keller of a journal belonging to a mistress of King George. That, she says, will easily convince the crown to award him a title. Keller surprises Sophie with an unexpected third guest, the Countess of Kensington.

Cons and Scams UsedEdit

NotesEdit

  • The real Claridge's is a hotel in the London district of Mayfair, not an auction house.
  • This is the second episode where Sophie takes the alias of a British Duchess.
  • Nate is punched into a chair, which is a nod to The Rockford Files.
  • When Nate mentions "The Mummy's Tiara", Parker asks if they're going to have to steal a corpse again, a reference to The Snow Job, where the team had to steal a body to fake a brain tumor.
  • Sophie states that her Duchess persona was a solid one, seven years in the making. Clearly it is connected with The Countess of Kensington, a.k.a. Aunty, who clearly knows Sophie's life in London. "William" is someone who is also related, but now deceased, eight years ago.

ErrorsEdit

  • In the United Kingdom, duchess and baron are not "royal" titles. Only members of the Queen's family are royal, and royalty is designated by virtue of membership in that family, not by title. Most titles, beginning with duke/duchess, and including baron/baroness, signify nobility, and their holders are considered peers of the realm. Duchess is the highest female form of nobility, baron one of the lowest male forms. In addition, there are some royal dukes and duchesses, so designated because they are members of the royal family, such as Andrew, Duke of York, the Queen's second son. In all cases, a noble title such Duke, Earl or other is conferred by the Queen, whereas royalty solely is a product of birth or marriage into the royal family.
  • Sophie introduces herself as Charlotte Prentiss, 18th Duchess of Hanover. In the correct form, she would either introduce herself as Charlotte Hanover or Charlotte, Duchess of Hanover. She would never use her family name or the her title's generation (18th). Similarly, she would never defer to her aunt, who has the lower title of Countess, when speaking. Given that he addresses the "duchess" using the more formal "Your Grace" rather than the more common "My Lady", Keller would surely have known this as well, and acted accordingly.
  • Keller dismisses Sophie's offer of a knighthood, indicating the Queen hands out 2700 of them a year. In reality, the number is far smaller, perhaps 15-20 twice a year, at her birthday and the new year, most on the advise of the Prime Minister's office. A duchess would have very little direct influence on the awarding of a knighthood.
  • A small, but telling error: when Sophie had afternoon tea with Keller, she fails to remove her gloves. This is a sure sign of lower-class birth, and lack of familiarity with how and when gloves are worn among the gentry. An upper-class woman would remove her gloves upon being seated, before she began afternoon tea, yet Sophie drinks tea, adds milk to her cup and eats a sandwich with them on. Later, Sophie grabs the milk jug using an overhand grip, rather than through the handle, another sign of lower-class birth. It's unlikely the writers would have known this. It remains to be seen whether this was a slip on Bellman's part or Sophie's.
    Ritzteacup

    A Royal Doulton teacup from the Ritz Hotel, London

  • Similarly, the hotel's tea set is mismatched and includes silver. In a good London hotel, the china used at afternoon tea is a point of pride, commissioned from Wedgwood, Spode or another pottery in Stoke-on-Trent and often carrying the hotel's crest. The only silver used at afternoon tea would be flatware, the tiered stand on which the plates of food are displayed and occasionally, a small jug of hot water to refill the pot or dilute tea in the cup.

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